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Archive for the ‘Case Study’ Category

CNIB Gala: Part 2: Time to present

Monday, August 13th, 2007

Once I sat down and tried to figure some visual ways to present comedy (which beyond microphones, empty stages and laughing masks – there aren’t many) I had to figure out what was important, in terms of content, and what wasn’t. With something like a poster, that may be hung up public space, keep in mind, you have mere seconds to make an impression and get your message across. This is no time for all the information about your event, or your product, or whatever… the basics – the most important information only. And from a visual point of view – again – simple. One big visual is better than 10 small ones.

So here are the four options that went to the client for presentation:




Again, these are the final 4 options that I presented to the client (I’ll show what didn’t make it another time).

I wanted the idea of “comedy” to really come through and felt, just before I needed to present them, I hadn’t really accomplished that.

I picked the brain of ubr-creative Kim McMullen for a quick brainstorm to see what we could do to make them just a bit better.

I had already designed the option 2 – “talking mouth” Mary Walsh, but didn’t feel like it was working, but with the addition of the right kind of copy, and typeset properly, it started to work for me.

Option 3 was my attempt for big and clean design. Nothing getting in the way of the messaging.
Option 4 had started out as another big and clean design poster – but tried to liven it up with a bit of scratching, sketching around the mic. Kim suggested I go all the way – it was a comedy show after all. Show – I got to totally deface Mary Walsh. I have to admit, I did think to myself “I can’t do this to Mary can I?”

But I did. It was appropriate and added that touch of whimsy that was really missing.

Next time: What the client choose and the options that didn’t see the light of day. Any predictions? Let me know what you think the client choose.

Case Study: CNIB Gala – Part One

Monday, July 9th, 2007

Idea Design was asked by Patti Johnstone, from CNIB Hamilton to help design the look and feel for the 6th Annual Gala to be held in January.
In the coming months, I will share the process of this job.
We got together Friday to discuss the job and look at our timelines. We have to present a few options to te Board by the end of July so there isn’t a lot of time to mess about.
In the past it has be called the “CNIB Magic Dot Gala”. This year’s theme is Comedy Night featuring Mary Walsh and Samba dancers, the recommended colours are pink and black.
You can see already we are in a bit of trouble. If the theme is comedy, let the theme be comedy. Why is it called “CNIB Magic Dot Gala”? Why pink and black? CNIB’s colours are green and dark green. Does the image of Mary Walsh say “comedy”? I’m not sure. Leslie Neilson – yes… Mary Walsh? I don’t think so. Samba dancers? What does that have to do with comedy?
Let’s communicate one thing. Right?
We need to design 24×36 posters (mostly used at the event-which is good to know), an 8.5×11 mini poster which will be mailed, faxed and inserted here and there – this will be the primary ticket seller – so it needs to cover a lot information. There will also be tickets and ads that need to be put together.
Next steps will be to simplify the message, from a visual and written point of view and develop a few theme concepts.
Stay tuned.

Case Study #2: Therapeutic Recreation Ontario

Tuesday, May 8th, 2007

Late last year, I was asked by Joanne Brohman at Therapeutic Recreation Ontario to re-design their logo. They had been working with a web design company called i4 to update their site and wanted to bring their logo in up to date as well.

I was excited by the project because I had been in discussions with Joanne and TRO for some time about a redesign and I could finally get to work.
Looking at their old logo – I liked the idea of using the trillium – which helped symbolize where TRO operates but the logo itself provided no clues as to what TRO does and who it helps. The type face and colour were quite dated as well.
The hardest part for me, as it is with most logos, is – how do I represent “visually” what an organization does? It doesn’t need to be literal, or – what I like to call – ’smash you over the head’ obvious – but it needs to provide some clues to the viewer.
I believe this is probably more important in the charity sector then the commercial sector.
My one concern was I was moving forward without a written creative brief from the client but after some back and forth emails, it was time to proceed.
So – where to begin? Research. I spent time understanding who TRO helps, how they help them and trying to find some visual ideas that I could use to communicate that. I then brainstormed on paper – words and visual ideas.

With most logos, when I finally sit down at my computer, I start looking at fonts/typefaces. All fonts communicate. Some are funny, feminine, angry, powerful, delicate, historical, etc. I wanted: Contemporary, slightly playful, soft edges (more feminine) and sans serif. If I could find a font that communicated those things for me – then I was in good shape when it came to the rest of the logo. I then find fonts that I think will fit the bill and typeset the name of the organization and see what works with the name and what doesn’t.
The next step for me is to chose a few of the samples that seem to be working for me and start to add some of my visual clues in. I liked the idea of the trillium and I wanted to give TRO a possible solution that kept that but I also wanted to explore another avenue. I wanted to use hands as well – I felt that hands could represent a lot of different things: healing, togetherness, community… So after trying a number of options, I presented these three logo concepts to the TRO:
After some review, the Joanne wanted to add the tag line as well before she took it to her board.
I always design logo concepts in black and white. Again, because every element can add or detract from another – colour is usually the biggest distraction. If I can get a logo working in black and white, then it should really shine once I start adding colour onto it. As well, with charities, so often we are designing with 1 colour or 2 colours so the black really needs to work.

So after board review, it was felt that we were off the mark. The hands weren’t working for them. I believe the feeling was that it didn’t address the “recreation” aspect of TRO. So – back to the drawing board.

The lesson here is the importance of a clear creative brief – which should be kept brief (more on that another time). A well written creative brief that both parties sign off on keeps the focus on the end product.

I went back to their site and some of the other Therapeutic Recreation sites that exist. What I failed to realize the first time through was it was ‘therapy through recreation’. That was key. Once I got my head around that – both the client and I agreed to move forward with that creative direction – I came up with these:
The ball easily covered the recreation aspect and I loved how it gave the logo some life and movement. I do believe the feedback was unanimous. The first option just had everything going for it and wasn’t too quirky or fussy. Now if I could just find a way to fit in that trillium…

Above is the final logo and below, intergrated within the new web page that created by i4:

The new site and logo are to go live sometime this year and I think that TRO now has a more up-to-date and contemporary identity.

More or less of this sort of thing? Any other comments? Please let me know!
John

Case Study #1: Dr. Bob Kemp Hospice

Tuesday, May 1st, 2007

Recently I was asked to do a makeover of a newsletter for the Dr. Bob Kemp Hospice which is in Hamilton, Ontario.

As part of my process I sat down to do the appropriate research on what the Hospice is, who it helps, who supports the Hospice and how they support it. They were in the process of wrapping up a capital campaign to help build a new hospice.

It came time to sit down and take a look at their newsletter as it presently was.

My first thoughts were considering the audience, the typeface/font seemed dated and appeared too small and condensed vertically.

There was nice white space around the paragraphs and around the headline so there was some room to play with. My other concerns were with the generic name and small images. They were also paying for printing 4 colours (cmyk) so I wanted to utilize that a bit more.

So what did I do? I started with the name first. The newsletter was going to supporters and donors and I wanted it to have a more uplifting name. “Hospice News, Hospice Bulletin, BK Bulletin, Kemp News”… none really inspired. But “Hospice Hopes”- we were getting somewhere. I felt the dark blue was a little cold and lifeless so I played with greens and yellows – colours that are alive and vibrate with energy… The use of the logo, which also may be updated at some point in the future wasn’t really helping – but I liked the idea of metamorphosis and life. A small visual of a butterfly gave it that bit unique-ness that it needed. I chose a contemporary and clean typeface for the masthead called “Abadi” and “Adobe Caslon” for all body copy.

I wanted bigger visuals – which have more impact and also help to make the newsletter not seem so copy heavy. So this is what I came up with:


A closer look at the body copy:

One other thing I did, was leave the double spaces in between the sentences. Depending on the piece, sometimes I leave them in or remove them. At smaller font (point) sizes, having the double spaces also help with readability, even though from a typographic point of view it is incorrect.

With the inside pages, I pushed for a less in more approach. But we had some great content so cutting copy was not easy. I opened the margins up as much as possible, bleed images off the sides and tried to give each element it’s own space to breathe.

Thanks to the Hospice for allowing me to help with their newsletter and congratulations on reaching their goal for their captial campaign.